Robert Beavers Filmes

"From the Notebook of..." was shot in Florence and takes as its point of departure Leonardo da Vinci's notebooks and Paul Valéry's essay on da...

Filmmaker Jonas Mekas films 160 underground film people over four decades.

Cutting and sewing as metaphors. Central to this work is the complex emotions surrounding love, separation, and the metonymic twinning of objects,...

Beavers shot The Hedge Theatre in Rome in the 1980s. It is an intimate film inspired by the Baroque architecture and stone carvings of Francesco...

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment,...

Late afternoon quiet and a silent figure seated on a bench; the old factories and machinery, warehouses and train lines are part of Greece, now...

“I walked into Bernice Hodges’s garden when I was seven years old and asked her to read to me. She was in her mid-seventies. Out of this...

“My filming for The Suppliant was done in February 2003, while a guest in the Brooklyn Heights apartment of Jacques Dehornois. When I recollect...

What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance....

The Painting intercuts shots of traffic navigating the old-world remnants of downtown Bern, Switzerland, with details from a 15th-century altarpiece,...

“There is a balance between a sense of the past seen in the views of West Berlin, filmed in black & white, and a sense of the present in...

Beavers’ starting point for this film was a question about how the places where he has lived influences how he sees. Beavers return to one or...

“Call them spontaneous or occasional films. I did not know if I would show this publicly when I filmed. The gift was Luke Fowler suggesting...

The first film in Robert Beavers' Sotiros trilogy

"Winged Dialogue details with growing clarity the desperate beauty and sexuality of the body animated by its soul, essence blindly reaching out,...

Avant-garde film by Robert Beavers. At first glance, this expression appears like a poetic riddle, but its practical relevance becomes quite obvious...

“Ruskin visits the sites of (art critic) John Ruskin’s work: London, the Alps and, above all, Venice, where the camera’s attention...

Early Monthly Segments, filmed when Beavers was 18 and 19 years old, now forms the opening to his film cycle, "My Hand Outstretched to the Winged...

The film is seen as though upon and through the structure of its spiritual partitions. One might say that there are three elements or levels to the...

Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also...