Ulrike Ottinger Filmes

  • 1978
    Madame X - An Absolute Ruler

    Madame X - An Absolute Ruler

    Madame X - An Absolute Ruler

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    The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising "gold, love and adventure" to all...

    Madame X - An Absolute Ruler
  • 1982
    Audience

    Audience

    Audience

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    Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm...

    Audience
  • 2012
    Ulrike Ottinger: Nomad from the Lake

    Ulrike Ottinger: Nomad from the Lake

    Ulrike Ottinger: Nomad from the Lake

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    Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the...

    Ulrike Ottinger: Nomad from the Lake
  • 1985
    China. The Arts – The People

    China. The Arts – The People

    China. The Arts – The People

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    China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested...

    China. The Arts – The People
  • 2008
    Seoul Women Happiness

    Seoul Women Happiness

    Seoul Women Happiness

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    In fall 2007 the Women's Film Festival Seoul issued a call that did not promise, like the pirate queen Madame X, "gold, love, and adventure," but...

    Seoul Women Happiness
  • 1997
    Exile Shanghai

    Exile Shanghai

    Exile Shanghai

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    Six life stories of German, Austrian and Russian Jews which intersect in exile in Shanghai. Out of narratives, photographs, documents and new images...

    Exile Shanghai
  • 2002
    Southeast Passage

    Southeast Passage

    Southeast Passage

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    “Places and worlds beyond the interest of the media are at the mercy of the law of forgetting. The spotlight fades and that which urgently...

    Southeast Passage
  • 1987
    Usinimage

    Usinimage

    Usinimage

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    Selected industrial and city settings from the three films were documented again for Usinimage and intercut with the corresponding fiction film...

    Usinimage
  • 1986
    Seven Women, Seven Sins

    Seven Women, Seven Sins

    Seven Women, Seven Sins

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    Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were...

    Seven Women, Seven Sins
  • 2009
    The Korean Wedding Chest

    The Korean Wedding Chest

    The Korean Wedding Chest

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    Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the...

    The Korean Wedding Chest
  • 2002
    Ester

    Ester

    Ester

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    A narrative about "the days when the Jews found rest from their enemies and the month that was transformed from pain to joy, from mourning to a feast...

    Ester
  • 2009
    Still Moving

    Still Moving

    Still Moving

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    Still Moving is one of the director’s most personal films, offering some insight into her artistic process. It is an assemblage of her...

    Still Moving
  • 2016
    Aloha

    Aloha

    Aloha

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    Tabu, a mythical tale shot in Tahiti, is yet another key to Ottinger’s cinema. Aloha is a dedication to Murnau, as well as Gauguin, Matisse and...

    Aloha
  • 1973
    Berlinfever – Wolf Vostell

    Berlinfever – Wolf Vostell

    Berlinfever – Wolf Vostell

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    In 1973, Wolf Vostell, an artist associated with Fluxus, made a happening in which participants were required to perform a series of ritual,...

    Berlinfever – Wolf Vostell
  • 1974
    Happy Birthday - Lil Picard

    Happy Birthday - Lil Picard

    Happy Birthday - Lil Picard

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    Rediscovered fragment of a Super 8 film by Ulrike Ottinger about Lil Picard's birthday party at the Werner Kunze Gallery.

    Happy Birthday - Lil Picard
  • 1986
    The Making Of “Superbia”

    The Making Of “Superbia”

    The Making Of “Superbia”

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    Superbia states "I am pride. The proud root of all evil. I am Superbia, the first of the seven capital sins. I am always the first. The tree of...

    The Making Of “Superbia”