Mike Hoolboom Filmes

In a Red Cross hospital in Vietnam, the young white nurse tends his wounds. Drawn from the archives of the Red Cross in Geneva.

The amazement of people as recorded in early films is the central motif of the film appropriated from the Lumiere brothers’ collections which...

A hybrid of DeSade and Dali, House of Pain is a nightmare that takes place between sleep and death, where the performers appear as mute...

The epilogue of the 9-part feature Imitations of Life (2003).

"Compilation" of five previous works of the director - Leaving Church, Damaged, 27 Thoughts About My Dad, Rain, Buffalo Death Mask - Father Auditions...

In a series of simple frames, the often misunderstood practice of Zen takes shape as basketball bliss. Now in retirement, the greatest defensive...

Originally cast as the second part of a six-part feature Panic Bodies (1998), the original 16mm negatives were rescued courtesy of the Cinematheque...

Based on Lisa Robertson’s The Nilling, the movie offers poetry as antidote to the exclusions of state and identity.

Commissioned for The Colin Campbell Sessions by Lisa Steele at Vtape, one of a half dozen shorts made in tribute to one of our video dads. Colin had...

Part 9 of 9-part feature Imitations of Life (2003).

Part one of the nine-part feature Imitations of Life (2003).

A life lived in cars and a last race with the devil...

Hoolboom takes the music video for Madonna's "Justify My Love" and runs it alongside a transgressive letter to Madonna from her schoolmate, Jason.

Devils fall in love in Seattle in a black comedy of sex, machines and flight. Photographed a frame at a time over three days, 1+1+1 shows us the...

Made on a sunny afternoon. A last stand of burning light. Shot in 1985, released in 1990 with a soundtrack by Kaiser Nietzsche (John Kamevaar, Thomas...