Barbara Sternberg Filmes

The day as it went along – feeling the light of the present…what else is there?

Using only text-on-screen, Love Me distills the emotions of an earlier film, Beating – emotions which conflict, confuse, are difficult to...

Goethe’s colour theory dealt with the optics of colour relations; Rudolf Steiner’s and Kandinsky’s theories attribute emotional,...

There were two initial impulses for the film: the paintings of John Turner (whence the bracketed title ”sun vision”) whose...

A mini-presentation of consciousness dealing with cosmos. The world in a grain of sand. Connections between life, death, and the world are neither...

Videoed off projected super 8 footage, this short film in four parts (titles from Artaud: “ the earth in the sea, the air in the earth, the...

"Poetry, film, light, life. An excerpt from Rilke's Ninth Elegy [...] evokes the beauty and brevity of life. Images shimmer in an uncanny light. We...

Where does 'I' leave off and the 'world' begin; when does 'past' end and 'present' begin? Images blurring boundaries suggest the relatedness of...

Brief moments of being, fleeting bits of the surrounding chaos.

Anything is Everything is composed of sequences of disparate footage, but with threads to follow: circular shapes from outer and terrestrial space;...

Brief moments of being, fleeting bits out of the surrounding chaos. These 4 shorts films can be shown separately or one after the other on the roll.

The sensual, with its beauty and possibility of decay, is set beside immutable statues of the Virgin Mary. Images from technological viewing of the...

The voice-over text, written and performed by France Daigle, creates three images which recur alternately throughout the film: a bird flapping its...

A dog and two cats in France living, naturally.

The film is silent except for four short segments of sync sound, interviews with a man and a woman, which touch on two areas: control and anger; and...